Showing posts with label Jean Vivaudou Co. Show all posts
Showing posts with label Jean Vivaudou Co. Show all posts

Wednesday, April 29, 2009

Vivaudou Part II...

You may remember the earlier post on Vivaudou cosmetics and Nikki perfume. I've sent off a few samples of Nikki to various readers, and I'm still planning on sending it out to a few more, including someone who isn't expecting it. So far the feedback has been interesting: challenging, strange notes, or could it have begun turning?- as for the last one, no, I hope not! Seriously, it is too sweet and clean to be turning but you never really know how something smelled or was supposed to smell, in the beginning, when something is as old as this stuff is. But I argue it is just an unusual composition and one with lots of coumarin, I'm betting. The 'hazelnut' I get might smell more like 'hay' to others. And there's a very fine delicate complex powdery theme woven in, which really fits in with Vivaudou, once you realize that the name is synonymous with fine cosemetic powders. Indeed Nikki could be exactly that- an interpretation of a woman, smelt through powder, and just a trace of salt and old roses, along with something unexpected, something a little acrid or slightly bitter, marigold(?)... It grows on you... Perhaps I'll find a definitive opinion from someone more expert than I.

But until then, I have the pleasant task of updating you on the Vivaudou story. If you recall, in the intial story I speculated that the two Vivaudou's- Jean and Victor, were related. Well, it turns out they were related indeed! In fact, I heard from the grandson of Victor Vivaudou, a lovely gentleman named David Kinnement. It turns out David's grandfather Victor did much more than make perfume (and establish a thriving cosmetics business). He was arrested for smuggling (Diamonds! In his own Vivaudou (?) cold cream!) in the early 1920's. But his career began on a more hope-filled note when he graduated as a MaƮtre de Parfum in Grasse around 1903. By 1914, he'd fled France to avoid the impending war and seek his fortune and fame in America, making cosmetics and perhaps trading in off-market women's couture (I'm assuming perhaps from his Old World connections...) . He left his wife and children behind and brought his mistress, Rose, to the US with him.
There he met the landed gentry of New York's golden society. He attended glittering parties that lasted for days at the Vanderbilt's and Gatsby's, and soon he and Rose purchased a home nearby. He started Vivaudou cosmetics, either with his father Jean, or more likely using Jean's name for the company (it isn't clear to me which was the case). Vivaudou landed in New York at a magical time in history and he was there to see New York transform itself from an almost provincial, colonial American city with quaint Belle Epoch tastes to the fully industrialized, sky scraper filled, world-class wonder we know today. Vivaudou associated with the cream of the crop of designers and artists of his time. The period of time and place in which he lived- New York, during the height of the jazz age and the birth of modern fashion photography and art, was as unique as the parfums he created.
His Orloff perfume bottles are certainly beautiful and distinctive, as Nikki attests. But what strikes me the most, as it did David, is the wonderful art work that was used in Vivaudou's print advertisements. One of the most famous artists he used, Henry Clive, achieved fame as a pin-up artist but he created many beautiful images for Vivaudou's cosmetics, powders and perfumes. I've taken the liberty of putting a few of these increasinly rare images up for you to feast your eyes on and so they can live on here among all the other wealth of vintage goodies I try to pack into this space.
Above, a gorgeous & detailed Mavis advertisement- the face powder, of course! And below,



One of Henry Clives' many period magazine covers (note his characteristic signature in the lower left corner). Red was a strong favorite color of Henry's and also of Vivaudou's, as you can see it was used extensively and lavishly in many of their advertsiing images.

Henry Clive did all of these advertising images, most of which were sourced from Flickr, American Archives dotcom or Pro dot Corbis dotcom.

I would love to see the advertising for Nikki, or any of the other Vivadou products but there just isn't anything I can come up with... And it's kind of funny because Vivaudou was associated with a host of perfume 'lines' including Delettrez, Arly (Paris France), Prince de Chany (Paris France & Beverly Hills,Ca), Vimay (Los Angeles and Culver City,CA) and finally Vadsco Sales Corp.(Long Island,NY).
Above, a rare advertising image from Vivaudou's Delettrez perfume line.

The Vintage Perfume Vault, where the scent of yesterday's vogue lives.

Note: all of the black and white images are DeMeyer: Dolores, first published in Vogue 1921 and 1916; Grace George, Vanity Fair 1920, courtesy Conde Nast. What you see here are photographs taken directly from my own DeMeyer book.

Wednesday, April 1, 2009

Orloff NIKKI Perfume, Jean Vivaudou Cosmetics


The Jean Vivaudou Company is perhaps better known among glass collectors but perfume fanatics have a reason to know them, too. Sometimes abbreviated just J V Co, Vivaudou produced vanity and bathing products that were packaged in pretty glass containers mostly circa 1930s. In fact, I've owned a few of J V Co containers, not even realizing what they were. The little jar you see above originally held a perfumed sachet powder made by JV Co and when the powder was used up you were able to use the container as a planter. The glass in this case was actually made by Akro Agate, a large US glass manufacturing company famous for making everything from swirled (slag) glass baskets with animals like a chicken or a cat on top to highly collectible rainbow assorted aggies or marbles.

Interestingly, another man named Victor Vivaudou, got into the perfume and cosmetics business in New York in the early nineteen hundreds, just a few years earlier than Jean. Possibly the two Vivaudou's were related? It would be a very odd coincidence if both men lived in New York, during the same time period, doing the same business and were not related. Whether or not he had any help, it was during the 1930s- 1940s that Jean Vivaudou produced several perfumes under or with the name of Orloff Perfumes. The Orloff perfumes include: Apple Blossoms 1941, Attar of Petals 1945, Carnation Imperial 1939, Extrait de Cologne Russe 1939, Gardenia Russe 1939, Indies Spice 1941 and Nikki 1939. Jean Vivaudou Company used a wide variety of stylized containers for their cosmetics and the bottles for the Orloff perfumes were unique. You may have noticed all of the perfumes seem to share a Russian theme The perfume called Carnation Imperial came in a wooden Russian style container, rather like one of the cathedrals with the famous onion dome tops. It had a glass vial inside and the container was painted red, white, gold and green. In the photos below you see the perfume called NIKKI. The bottle is stunning, it's very gothic and even before I knew any of the other Orloff perfumes I thought it reminded me of something from Russia, too.



I love that you can clearly see a fingerprint in the gray paint under the silk screened layer of gold paint that makes up the Orloff logo, applied directly on the bottle. I think it is rare to see this mark so well preserved, as you can see the paint is wearing off in this example, too. The image appears to be that of a rider thoroughly robed against cold Russian winters, with blankets and cloaks perhaps obscuring the horse's rear legs. For me this is a very romantic presentation. The perfume within is very interesting to me as well; I am fairly certain it is authentic, as I received it from a single owner with several other same period perfumes that I know to be correct (and that have more value). It smells a bit raspy at the top but as I smell it more and more, I like it better and think maybe it is intended to be that way. It reminds me a little of the smell of chrysanthemums and also a hazelnut-like note. This morning I thought maybe also it had a basil note that might be causing part of the harshness, but now I'm not sure. It has a warm doughy quality so I suspect it might have been an Iris perfume, but once again, I'm not sure because Iris is a note that still plays hide-and-seek with me. It finishes slightly powdery, mostly warm and roasted-nutty. That edge of bitter floral lasts all the way through, at least on me.

I really wish this had been Gardenia Russe (can you imagine!) or Carnation Imperial (I'm real into carnation) but I just love the bottle Nikki comes in. It's actually a rather large bottle and since I mostly dab, I'm sure I'll have much more than a lifetime's supply of NIKKI.

So how about a first here? Since I'm totally non-commercial and unincorporated, it has to be a modest first sample give away; so for up to the first five people who request it (email me at millascet@gmail.com if you want to be included) but since I don't really think 5 people read this blog, I'm not sure I'll send out even 1 vial. But if I do, then don't be too mean if you disagree with my smell analysis; I go without any reference or list of notes 99% of the time. I'm using the only things I've got, which are namely my nose and my brain, so if you do get a sample of this perfume, try not to tease me too badly if you open the vial and think to yourself, duh, this is a ROSE perfume, dummy !! At the same time, I want to know what you think and I would love to hear back from you on the blog or by email once you've sniffed Nikki, to tell me what you think about it, too.

The Vintage Perfume Vault, where the scent of yesterday's vogue lives.