Showing posts with label California Perfume Company. Show all posts
Showing posts with label California Perfume Company. Show all posts

Sunday, December 6, 2009

Colonial Dames, the First California Perfume Company?

I am enchanted by a new find this week, a wonderful vintage Lilac perfume with the evocative name Candle Light made by Colonial Dames. Marietta Bosworth Willats, an American stage actress, established the company in San Francisco in 1886.  Her picture, as well as some additional historical insights and photographs, is still featured on the official Colonial Dames website (http://www.colonialdames.com/). Colonial Dames was one of the first companies of its kind, particularly on the West Coast to offer its clients high quality skin care, toiletry products. In fact, the California Perfume Company- now Avon- is often touted as the first American perfume and tioletry company. It was also established in 1886 although contrary to it's name, on the East coast. However on the west coast  which was considerably less civilized at that time, Colonial Dames quickly became a favorite of Californian women. Actresses like Marietta and other modern-minded gals especially flocked to Colonial Dames seeking to enhance their natural charms. By the 1920s the company relocated closer to the heart of California's burgeoning film industry- Los Angeles. There Colonial Dames became an early favorite among professional make-up men and prop handlers, flourishing through the 1930s and 40s. In fact the company is still in existance although their current product line appears to consist solely of vitamin E oil and creams.



This photohgraph from the 1936 Three Stooges film short "Slippery Silks" provides us a glimpse of Colonial Dames products and among the jars, several perfume bottles. Reportedly the company produced a few perfumes after World War II, including Bachelor Button and Tra-La (1946), French Quarter (1956) and Cloud 7 (1961). Note that my own bottle has a foil/paper label, is made of very thin glass and has a panelled hand-blown mold construction. It has a tiny cut glass stopper as well. Considering its style and construction I estimate my Colonial Dames perfume bottle is from the 1930s. I was delighted to find the scent of the perfume seems to be well preserved!

At the very first whiff, I detected a strong animal, indolic note, and worried about the wearability of the perfume. But it was only a trace of fish, from the really sticky residue that had accumulated at the neck of the container. As soon as I dabbed some of fresher juice from inside the container onto my skin, I detected a much sweeter scent. At first, I had an impression of a jasmine, almost jonquil like scent, a spicy floral with a fruity, almost frambois quality. The perfume has a piercing intensity, animalic-turpentine touches and something harsher and woody, possibly vetiver, in the base. Yet the overall effect is sweet and floral and thoroughly wearable. As it wears, an ambery "play-doh" base with mild bready undertones emerges. I can detect a small amount of what may be fir balsam in the dry down as well. I asked my husband to give it a sniff in its full-on sweet phase- he's my 'control subject', and he said it smelled of fresh cut pine wood shavings and a spicy, incensy flowers.  He also gave it a thumbs up for wearability. Lilac is a classic flower that many of our grandmothers used in their own home brewed perfume concoctions and it has been largely ignored in fine modern perfumery. Aside from being lovely to look at, it is one of those flowers blessed with a complex nature and creates a soliflor that can smell like a fully developed composition. Candlelight is a lovely, rich and complex lilac. For as much as I can smell, the quality of the juice is apparent. For me, this is an important find because it speaks to the early history and high quality of commerical perfumery in California. I would say this humble creation rivals a period Caron in quality, which it reminds me of very much in terms of scent character.
The Vintage Perfume Vault, where the scent of yesterday's vogue lives.


Note: photographs of Miss Bosworth and the Three Stooges were borrowed from the Colonial Dames webiste, although the Three Stooges footage is available elsewhere. The shot of Candlelight Perfume bottle is my husband's.

Friday, February 20, 2009

The Continuing Story of Cara Nome Perfume


The story of Cara Nome began to interest me when I found I had collected 4 bottles, each with a different maker, city, style and scent but all shearing this same obscure little name. So what was the story behind this perfume? United Drug Company was the first maker who produced Cara Nome perfume in 1918.

United Drug Company was a titan of early 20th century American industry (190x-1927). The company started in New York- actually New Jersey, the industrial area a few miles west of Central Park and 5th Avenue somwhere around 1900. But by 1907 United Drug had already migrated or expanded to Boston according to the writings of Frank Edward Davis, who was the general manager of United Drug Company in Boston at that time. By 1911, Davis had moved on to head another United Drug Company located in Onterio, Canada. In 1913 United Drug was booming; the pockets of this giant became so heavy that sometime that year the company split to form United Candy Company, United Stationary Company, United Laboratories Company and the United Perfume Company.

Despite their exuberant expansion by 1921 United Drug Company was running into serious financial troubles. In fact a great depression was coming and United would not survive. Even so in 1922 the company released 12 new fragrances. Perfume, made with ingredients manufactured in their chemical laboratories, was one of the most profitable of their latter going concerns. In 1927, United Drug and Perfumes dissolved. As is often the case, another company seems to have been waiting in the wings to come along after United and buy up their most successful fragrances which began to appear under the Langolis Company label inthe late 1920s or early 1930s.

The perfumes of the United Drug company include in chronological order: 1915 Bouquet Dazira; 1916 Narcisse; 1917 Coeur d'Or; 1918 Cara Nome; 1918 Violet Dulce Jonteel and Truflor; 1920 Arbutus; 1921 Juneve. Then in 1922, a burst of releases: Coeur de Trefle, Coeur de Violette, June Bouquet, Nacre, Alma Zada, Dazira, Fleur des Bois, Harmony, Harmony Trefle, Intense, White Lilac and Rose. In 1923, Duska Toilet Water only. Then in 1924 and 1925 came the last two of the original United Drug/Perfume Company perfumes, Bouquet Ramee and Shari.

As a side note, coincidentially, (or more likely not), two of the United releases, White Lilac and Arbutus, are name copies from two of the earliest Avon perfumes (but under another name back then). Those earliest fragrances were produced under Avon's original name, California Perfume Company. Like United, the CPC was established in New York sometime around 1865. White Lilac and Arbutus were also produced by Mary Chess and Barcorns, probably all the later versions had been inspired by those very first successful CPC perfumes of the late 1870-1880s. Today Avon produces perfumes for the mass market of American women and has a reputation for producing "cheap" perfumes but you have to admire about any company that is over 130 years and still going strong!

But going back to our original story line, Langolis continued producing a number of the original United Drug/Perfumes such as Cara Nome and Shari. Under Langolis and unlike what I see in photos of the older United Drugs line, the packaging was often exquisit.



Our story isn't nearly complete yet but the Langolis trail becomes a dead end, so stay tuned for more... of how the story will evolve.